Monday, March 20, 2017

Gloria Grahame

Gloria Grahame began her career in acting at a young age under the tutelage of her mother, who was herself a stage actress and acting coach.  Having little interest in academics, Grahame dedicated all of her time and energy to honing her craft and even ended up dropping out before she could graduate high school.  Fortunately, this gambit paid off.  She was discovered by MGM co-founder Louis B. Mayer during a stint on Broadway and offered a role in Blonde Fever, where she would make her feature film debut.

Not long after that, MGM sold her contract to RKO, where Grahame would spend most of her career before making a few films with Columbia Pictures.  Notable roles included Violet Bick in It’s a Wonderful Life, Ginny in Crossfire, and her defining turn as Debby Marsh in The Big Heat.  Usually cast in the type of the femme fatale, Grahame embodied the sensuality and fierce independence of the archetype.  Sexually uninhibited and with ulterior, oftentimes self-serving motivations, her persona captivated audiences--so much so, in fact, that she netted an Oscar win for her work in the 1952 film The Bad and the Beautiful, despite her time onscreen barely breaking nine minutes.

Though accounts vary as to the nature of Grahame’s life away from the silver screen, what is certain about her private life is that it was tumultuous.  Known to be overly critical of her own image, she underwent many plastic surgeries to change her appearance.  This had the unintended effect of altering her voice, which in turn affected the roles she was able to get later in her career and earned her the ire of some critics.  A string of abusive relationships, rumors of alcoholism, and her habit of making salacious statements with the intent to polarize also brought her personal life into the private eye. This intense scrutiny had an adverse effect on her emotional well-being and established her as a popular figure of controversy.  One scandal in particular that resulted in significant public outcry as well as led to Grahame’s divorce from her second husband Nicholas Ray was her affair with her teenage stepson Tony Ray--who would later become her fourth husband.

Toward the end of her career, Grahame shifted from film to the stage but with limited success due to her lackluster vocals.  Nonetheless, she remained persistent and continued acting, even after learning that she had stomach cancer.  She rejected the diagnosis and refused treatment, rather than abandon her passion--a decision that would prove fatal.  Her legacy, however, was cemented as a quintessential film noir actress, and she left an indelible mark on the genre by her audaciously bewitching performances.

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