Born in Chicago in 1914, Carl Foreman was a Jewish writer and producer of multiple award-winning films including High Noon, a classic western depicting the alienation caused by the HUAC investigations into Hollywood.
While Foreman went on to be successful
as a screenwriter, his first attempt at making a name for himself in Hollywood
resulted in failure. Foreman was forced to admit defeat and leave Hollywood,
working as a grocery store clerk and even attending law school before finally returning
to Hollywood in 1938. It was during this time that Foreman joined the Communist
Party, something that would come back to bite him. While Foreman did find a
small amount of success on his second return to Hollywood, it would be
interrupted by World War II. During the war Foreman served with the U.S. Army
Signal Corps making orientation and training films under director Frank Capra,
and Foreman credits this with how he began to truly learn “the craft” for the
first time.
After the war Foreman returned to
Hollywood once again, finding his first major success with the film Champion that won him an academy award
nomination. Foreman saw two other successes in Home of the Brave, and The
Men, but soon after his career was interrupted by the House Un-American
Activities Committee. While working on High
Noon, Foreman was summoned to testify before HUAC. He admitted that he had once
been a member of the Communist Party, but since he refused to give names he was
blacklisted and labeled ‘uncooperative’. High
Noon went on to be a success, and is largely seen as representative of
McCarthyism and the red scare, but Foreman was not credited as a producer, only
a screenwriter.
Despite the success of High Noon, Foreman remained blacklisted
to the point where he had to flee the United States and immigrate to England,
which involved him having to sue the government to get a passport. Foreman did
continue to work during his time abroad but took little pleasure in it, and was
quoted explaining that he felt if he had not been blacklisted he would have
gone on to be a director. His career was essentially ruined because of HUAC,
and while he did return to the United States in 1975 his career was never the
same. He died in 1984.
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